This was my first collaboration with my friend Mary Plunkett. We teamed up with Steve Cole (liberateulysses.com) who provided tweet length excerpts from Joyce’s seminal work. We then created typographic responces to the text in the form of five broadsides. The wood type used includes several sans faces at various type heights and Stephenson Blake’s Caslon. The imprint’s (which tell a little about each piece) are set in 14 point Monotype Garamond 156.
Designed by Jamie murphy & Mary Plunkett. Printed on a 1960’s Adwest Double crown proofing press at Distillers Press, June 2012.